Emerald Bay Photography News and Updates

Recently - more as a challenge to myself than anything else, really - I tippy-toed into the complex world of jewelry photography.

Yepp, there was a learning curve. And a huge one, at that.

But I was fortunate to at least have the privilege of being able to use a custom ring by my hugely talented friend, Bollywood's costume and jewelry designer Niharika Bhasin Khan, based in Mumbay, India.

And I'm actually pretty happy with the results. But you judge for yourself ...





More jewelry images to come soon!

Traditionally, the Thanksgiving feast is an opportunity to give thanks for the bounty of food, bestowed by a successful summer and fall harvest.

Given however that most people don't hunt or grow their own food these days, it just becomes a beautiful ceremony - a chance to gather around the table with family, friends and loved ones, and share some good chow.

If you're lucky like me though, and accidentally surround yourself with foodies who cook up the perfect storm of dishes, it becomes an opportunity not just to feast the stomach, but also the eyes...:

Labels: Bend Oregon photographer, Bend photographer, editorial photographer Bend Oregon, food images, food photographer Bend OR, food photographer San Francisco CA

So I got myself a ring flash not too long ago, and finally got the chance to try it out on a client shoot.

Here are the yummy results!









I love how it glosses and tones the skin. I tried a couple of different backgrounds, and found a flat black painted, smooth wall in the gym to be ideal.

Try this at home!

Labels: Bend Oregon photographer, commercial photographer Bend Oregon, editorial photographer Bend Oregon, fitness photography, sports fitness photographer Bend Oregon

That's really the one word that comes to mind when seeing this absolutely stunning example of elegance and craftsmanship:













Check out the rest of the images here.

Labels: architectural photographer Bend Oregon, architectural photography, Bend Oregon photographer, Central Oregon photographer, interior architectural photography

I think my editor at TIME Magazine has some sort of special radar. I may not talk to her for eons, but she seems to know exactly when I'm either gone on vacation, or when I'm about to leave on vacation.

Point in case: last week, I was scrambling to get my work organized in order to leave on a 10 day trip to California. Tuesday was a day of solid meetings, and I had a 2-hour shoot scheduled for Wednesday at 10am. So who calls me on Tuesday afternoon with an assignment, completely out of the blue? My TIME editor. Just like she did last time.

Now - alert readers will note here that my bread and butter consists of architectural, food, and product photography. To spice things up though and keep it lively, there's the occasional editorial/corporate portrait. But what really trips my trigger (literally) is shooting an editorial - telling or illustrating a story with my camera.

So doing the occasional shoot for TIME, Canoe & Kayak, or some other magazine is always fun. Yet this particular assignment was different. No heads-up to the subject. No fuzzy, happy "let's make this look good" approach. No. This was going to be complete clandestine. A "no comment" shoot. My instructions were *not to be seen*, and not to talk to anybody.

The target? Mount Bachelor Academy, about 20 miles east of Prineville.



The private school had been recently in the news about the State investigating possible abuses. TIME was picking up on that, but because the story was going to be negative, they couldn't ask for PR images from the school. So they called me.

The deadline was tighter than usual - less than 24 hours. As I had already scheduled that other shoot (which was impossible to postpone due to a unique subject unavailability), I decided to get up at 5am and drive the hour and a half to the location in order to be able to return to Bend in time for my 10am.

April in Oregon can be unpredictable however. As it turned out, it had snowed the night before. The road froze, coating the tarmac with a 1/4 inch of black ice. Which literally turned the surface into an *ice rink*. I got only a few miles past Prineville before I had to turn around - or risk breaking my neck.



A quick call to my editor later, she agreed to postpone the deadline to the early evening so I could go back in the afternoon (and after the ice had melted off the road).

So I drove back to Bend, did my other shoot, then returned to Prineville in the afternoon. The road was clear now. Thanks to Google Maps/Earth, I knew exactly what to expect from the location: a big, semi-fenced compound with several buildings, situated clear up against a deserted stretch of highway, high up in the Ochoco National Forest. No real way to sneak up and carefully compose a shot. Oh, well. Drive-by shooting it was then.





Hours later I delivered the finished shots to my editor. She wrote: "Success! This is better than expected." Thursday morning I delivered high-res. Friday, the story ran.

Wham. Bam.
High pressure deadline.
Instant gratification.

As much as I love being able to take my time styling, tweaking, and lighting my photo subjects, and through the resulting images help my clients gain new business - I have to admit, the editorial way of working has its appeals too. There's a certain soul satisfaction in contributing to a story that might alter someone's life, change someone's mind about a topic. Especially when you know that millions of people will read it.

What it boils down to for me however is balance - keeping my interest in the craft fresh, knowing that I can tackle any challenge that presents itself, and maintaining that equilibrium that gets me up out of bed every morning, ready to shot the next big challenge.

I love my job.

Labels: architectural photographer Bend Oregon, Bend Oregon photographer, Bend photographer, Central Oregon photographer, editorial photographer Bend Oregon, Editorial Photography